Enemies (including "Gekko" unmanned walkers), private military contractors ("mercenaries") and helicopter gunships require you to swipe your finger across the screen to aim a reticle at them. In Metal Gear Solid Touch you shoot targets that pop up at random while cowering behind cover. We're not being facetious here it really does play like the titles mentioned. But then we realised we were being a little harsh - Metal Gear Solid Touch has depth of field, so it's not Duck Hunt, it's the 1994 classic Virtua Cop. So if any of this sounds interesting to you at all, get out there and show your support! There are far worse things that you could spend your Kickstarter budget on.Our first thought when we played Metal Gear Solid Touch was that we were playing a graphically updated version of the arcade classic Duck Hunt. It’s far too early in our medium’s lifetime to fall into the same trap as films.
There’s no reason that we need to exclusively keep going back to old wells. Video games are a still a young and burgeoning industry. If Republique is a hit, it might stand as a call-to-arms to both developers and supporters to bring some fresh, original content to the forefront.
It’s an entirely new franchise from some very talented people with a neat concept. It’s not a reboot or a remastering or a foll0w-up.
Republique, on the other hand, isn’t a sequel. Games like Shadowrun Returns and the new Wasteland have me just as excited as any other fan. There are a lot of franchises getting their due now through Kickstarter that deserved to stick around a long time ago. That’s not necessarily a bad thing either. Since Double-Fine started the Kickstarter Renaissance, the majority of games being brought forward have traded on nostalgia. If they’re successful, it could be used as a proof of concept for future, large-scale games on the platform.īut it’s not just mobile development that could stand to change. The folks over at Logan and Camoflaj look to be trying to prove that with Republique. However, just because this model has worked in the past, that doesn’t necessarily mean that larger titles that make use of the platform can’t work as well. Meanwhile, games like Sword and Sworcery prove that a game doesn’t have to be complicated to be complex. Right now, mobile development is an ocean of simple, addictive and minimalist titles. Republique could represent a very interesting new paradigm for both Kickstarter and mobile development. Ignoring the pattern of smaller, simpler games on touch-based devices, the developers are attempting to craft a title with a deep, meaningful story and gorgeous graphics. Their aim is to provide a polished, large-scale interactive experience for iOS devices.
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Republique is being made in a collaboration between Camoflaj and Logan – some of the folks behind Metal Gear Solid 4 and Halo 4 as well as the live-action Skyim TV spot and those iPod ‘silhouette’ ads. Using these, players will solve puzzles, control lights, wiretap calls, summon elevators and even slam doors in the face of her pursuers. In the game, you assist Hope by hacking anything with a network connection. Republiqueis an attempt to make a truly triple-a game for iOS (iPhone/iPod Touch 4 and up, as well as all versions of the iPad). You play as yourself contacted by Hope through a stolen phone. And with your help, she might just do it.īut you don’t play as Hope. Pursued by agents of the state and wanted by the malignant ‘Overseer’, Hope must use any advantage she can to survive. That’s why we’ve decided to start highlighting projects that meet the following criteria: they are interesting, unique, or just plain awesome.Ī young woman named Hope, trapped in a faceless, totalitarian state not found on any map, makes a desperate run at freedom. But with all of the projects out there, it’s easy for cool things to fall through the cracks. From movies and comics to video and board games, projects of all sizes and types have been having success using the site’s pledge-based funding model. Kickstarter has already made headlines as a way for creators to get their projects funded without going through a traditional publisher.
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